The children have to step away because the grownups are here. I’ll review songs every night just to see how my opinions change. I do love Sanremo, so this is fun for me.
Of course, we have to open with a banger. Every movement here is intentional and rehearsed, which creates a great and visually striking performance, especially with the backing dancers actually adding something for a change. I’m not too huge on the chorus, which is a little underwhelming, but the verses are great.
This couldn’t be more different from Occidentali’s Karma if it tried. This is one of the most stereotypically Italian songs I’ve ever heard. Not that this is a bad thing, of course, because this is classy and lovely. He doesn’t just sing it; he performs it. He’s expressive and dynamic on stage and does his best to sell the song to me. And you know, he does sell it to me really well. It just so happens that I can tolerate sincere cheese like this, so I can easily get into it.
I’m not exactly in love with this, but it isn’t unpleasant at all. I guess I’m just not a fan of the overly minimalistic arrangement of the song combined with more elaborate vocals. That said, he’s a really charismatic performer and does his best to sell it anyway. This is why I don’t really dislike it either, it’s just fine.
Can Noemi sing a bad song or sing a song badly? Well, it seems like the answer is no, not at all. She’s still here and she’s still serving us some class. It’s obviously not trying to chase modern trends at all, but sticking to the tried and true. Who cares though, it’s a song all about her and her alone. She fills the stage with her presence and makes me forget about everything else.
While vocal effects can enhance a song, they usually detract from them instead. And they especially detract from tender ballads like this. It just makes it give off no emotion at all, which is what I look for in ballads.
This is so fun. It sounds like something straight out of the 80s, and I mean that in the most positive way possible. It really does sound like a lost Ricchi e Poveri single. But damn, do they sell it well, even with that makeup and dresses.
I rarely get emotional from songs, but I did get emotional from this (just a little). It makes me feel lost in his emotions and makes them come across. This exemplifies what I love about Sanremo: it isn’t actually a song contest. Instead, it’s a performance contest - and I don’t mean that in the way I mean when I talk about this. Here, it’s all about making a connection with the audience in some way and convincing them. And he does this flawlessly.
This is basically nothing more than a generic Italian pop song. That doesn’t make it bad, but it does make it a little uninteresting. She definitely performed it well, which is impressive considering she’s 75 years old, but I’m just not very interested in the song.
A nice jazzy ballad like this is the last thing I expected from Mr. Bull Rider here. I went into this song with lower-than-negative expectations because I didn’t enjoy his previous attempts, but this just proves that assuming really does make an ass out of me. He decided to be outrageous by not being outrageous at all. It truly made me like him a lot more simply because of this.
It’s pleasant but rather anonymous, I think. I’ve heard songs like this before, although that doesn’t make it bad, of course. And she performs it really well, too, of course.
Yes. Just simply, yes. This is incredible. It leaks sass and attitude out of every orifice (sorry for this comparison). It absolutely forces you to get up and move around, the backing singers (both the ones on stage and in the orchestra) actively participate in the song too. This is exactly what I mean by performers performing their songs.
Well, here’s the proof that you still need a great song to really compete in Sanremo. This has some great parts, but a lot of them are only great in isolation. Once you take the song in as a whole, it just entirely loses its cohesion and fails to deliver on the musical promises it gives. It just feels like the song keeps resetting before it actually resolves. As a result, I wasn’t really a fan of it.
After a long break, we’re finally back with this. To be honest, this is a little underwhelming. Not unpleasant at all, but I much preferred his 2022 entry. This just lacks some “je ne sais quoi” to lift it above something just pleasant.
Here’s a great way to do a mix of classic and modern. It sounds like a mix of a bond-style ballad and Italian dance pop, but the mix doesn’t sound disjointed at all. To the contrary, it sounds really cool. And, of course, she has an impeccable voice needed to carry a song like this.
Italy decided to do some fun genre mixing and showed us some gospel rap. To be fair, it’s surprisingly cute. It’s just a fun pleasant song in this slightly more serious selection, which is always appreciated.
And it’s back to being serious. You’d think that the Italian ESC entrant from 1971 would have a song that sounds like it’s from the 70s, but you’d be wrong. The best way to describe it is that it’s a modern take on a classic musical style. This is why I love Sanremo (among many other things): well-established artists with careers that span multiple decades come back with surprising new styles. You’d never see anything like this in MGP, for example.
This couldnt be more Italian if it tried. I don’t think I enjoyed it all that much though. I think his voice doesn’t really fit with the music, which makes it feel like two songs that got mashed together into one by accident. This is the first entry that makes me happy that I’ll hear it more on future nights as I’ll be able to make up my mind better.
It has an incredibly compelling sound with some africana and Latin American influences. I’ll definitely need another listen to fully love it though as it took me by surprise too much.
Here’s a great example of a song that that’s both quite minimalistic and intricate at once. It’s once again all about the performance. Once again, I’ll need more listens to properly figure it out.
Ok, I don’t really like this. It feels very safe, though I don’t dislike this either. It was all just whelming. I don’t even know what else to say about this because it’s just there: not impactful, but not hateful, either. It makes sense, though - we’re in the middle of part 2, so they put some of the weaker songs here.
This feels like a natural progression from her 2024 entry, Diamanti Grezzi. It still has the same sort of vibe, but it’s just all-around more boppy and danceable. It’s simply really good, and I don’t know what I’m supposed to say. The camera angles are great (and I love the occasional 9:16 segments that open up into the regular 16:9 ratio). And the orchestra elevated this so much, too. I can’t describe just how much I liked this.
It’s weirdly compelling. I was expecting something completely different because of his styling - some hard rock - but it was a very lovely rock ballad with a lot of soul to it. I really liked that he played the piano himself.
Techno and orchestra mix surprisingly well. People who say that the orchestra makes certain genres harder to pull off are simply wrong. Unfortunately, this has one huge fatal flaw: autotune. However, it fits this kind of song a lot more than a tender ballad. I like it, even if I don’t really like the singer himself.
Simple, cute and likeable - a perfect mix of things. He’s a very genuine performer that sells this really well, which is exactly what’s needed in a song like this. I’m excited to hear it again and form a more concrete opinion on this.
Oh, that’s a very pretty outfit. And it fits this total banger of a song. I’m adding this to my playlist immediately, although it’s clear that she’s too nervous on stage because she sounds quite breathy. On the upside, the performance was great otherwise. I hope she can improve in the next three nights.
Nice, a woman with a guitar singing a Bond-style song - you can’t go wrong with this. She’s an insanely charismatic performer, too - that’s really apparent from her performance. But the song is really great on its own, too. It throws so many different curveballs at you and manages to keep sounding interesting for its full duration.
What a lovely song with a rapped part that actually fits. I have to give huge props to Rocco for this, as most people can either sing or rap. On the other hand, he blends the techniques with ease and even manages to straddle the lines at times, with some parts sounding like they’re both rapped and sung at once.
This is much better than Nessun grado di separazione. It’s so uplifting and emotional - I really connect with her. Of course, she didn’t walk down the stairs like all other performers since she fell down during the rehearsals. Instead, Carlo Contti walked her on stage himself. That was a very cute moment. But, of course, the song is really special, too.
The best way to close the show is with some groovy fun - and this delivers on that. It’s also better than Un ragazzo una ragazza, which shows why artists return to Sanremo so much: they just have better songs each year. It’s so musically rich and fun.
As expected, Sanremo is as strong as in all other years, even though Amadeus is no longer the producer. To be honest, you can see that he has a bit of a different approach as the songs sound a little more, I don’t know, expected. It’s the kind of song everyone expects to hear in Sanremo, while Amadeus always tried to have one or two songs that stood out a lot.
Here’s a fun idea: I’ll publish my rankings for each night individually so you can all see how my opinions grew and changed. That’s the beauty of Sanremo: you get to know all the songs really well before the final choice is made, which usually leads to the best song winning.
This night combines two different things. First off, the first semifinal of the “nuove proposte” will happen and only then will we carry on with the big artist section. So let’s see what that’s all about.
Some background: there’s a separate competition called Arena Sanremo, where new artists compete for a separate trophy. Their songs don’t directly compete for the overall win - instead, they’re competing for the win in the Newcomers section.
This was definitely quite lovely, though a little standard. He genuinely wouldn’t sound out of place in the main lineup. He has a very warm and pleasant way of performing, though I can’t say the song itself interests me too much. It’s just there.
But this was the clear standout of the two. It’s a little messy, but it’s performed with such energy that I just can’t resist it. I just can’t resist fun bangers like this. The vocals aren’t all there, but not to the point where I can’t stand listening to this at all. Unfortunately, the Italians didn’t feel that way, and the other guy won the first duel.
Now, we go to the second duel.
Ths was a banger honestly. I don’t like the change in the system - these songs should be competing in the main show. She’s a proper performer and interacts with the audience so well. But the performance itself was really weird: she did a lot of squats on stage and was dressed in her pyjamas. Nevertheless, the song was strong enough for me to ignore this. But clearly not strong enough to convince the public, so she lost the duel.
When this started off, I was a little sceptical, but then the orchestra really kicked in and I found this to be really quite moving actually. I think he also got into the groove and started performing it better. It was just very warm and welcoming. I’m really unsurprised that he won his duel.
I can’t help but smile while this song is on. It’s just so likeable and sincere that it’s impossible not to enjoy. And I’m still impressed by him as a performer because he switches between singing and rapping so flawlessly. Plus, he’s credited as the primary composer/songwriter of his song, so he managed to make this fit the orchestra so well, too. I only have positive things to say about this.
This is so classy, but not in a pretentious way. However, I have a feeling that I like this more because of her and not the song itself. The song is actually quite ordinary - though not bad, of course, but I’ve heard stuff like this many times before. Of course, a lot of songs are ordinary, so this isn’t even a strictly negative statement. The most important thing about songs is whether a performer can connect with them or not, and clearly, she does. She absolutely elevates the song to new heights and makes me ignore the fact that it’s fairly ordinary in isolation. So I definitely still like the overall package.
This is a lot more enjoyable with a less outlandish costume because I don’t feel cognitive dissonance from this song, which is great because I enjoy this kind of soft piano/rock ballad a lot. It’s just performed with feeling. Clearly, I just like lowkey songs like this.
This is absolutely better than their entry last year. I have no doubt that this will be yet another radio hit for them because this is just so enjoyable. I have nothing negative to say about this either. It isn’t as great as Italo-disco though, but very few things are.
This is actually great. In a way, it feels similar to La noia in the way it mixes a very Italian sound with Latin American influences. She clearly enjoys performing it very much because she just radiates joy and happiness. And, unlike with some other songs, the orchestra really elevates it to a whole new level. I’m thankful that RAI have put a lot of care into making sure their orchestra isn’t just the traditional symphonic orchestra but one that has a lot of modern/non-traditional instruments available for composers to use.
The song actually has a lot of depth to it. The autotuned vocals still bug me a little, but the orchestral backing gives them a completely different feel compared to the way autotuned vocals sound on recordings. I think this is a pretty good use of autotune because the live music still gives them some warmth.
On the other hand, this just feels a little pedestrian. It’s like someone took a bunch of Sanremo songs and blended them together. She’s still a great performer, of course, but the song fails to interest me all that much again. It isn’t bad, though.
Damn, this hits even stronger now that I read the lyrics. It’s a song dedicated to his mother, who’s dying of Alzheimer’s. I could feel the emotion of the performance even on the first night, but it absolutely hits harder when you know the meaning of the song. Here are my favourite lines: " If you ask yourself why you’ve got a ring on your finger / I’ll tell you about my father, your husband" and “I, who barely know how to make breakfast, will set dinner up”. And yes, maybe I’m being a little soppy, but he delivers it so emotionally, too. I’m genuinely rooting for this to win now, even though this probably wouldn’t translate to the big ESC stage, and he’d have to endure hate from idiotic Eurofans who can’t tolerate anything other than horrible girlbops.
Usually, UVPSM gets all the Sanremo rejects, but this just feels like a UVPSM reject in Sanremo. There’s something distinctly cheap and unenjoyable about this, even moreso than on Night 1. This would’ve never been in Sanremo 2020-2024 is all I’ll say and leave it at that.
Chuck this on the pleasant but generic pile. He performs it well, but I can’t say it interests me too much. I don’t even have anything to say except that he’s a pretty nice performer.
Now that I got over my shock of Achille Lauro performing a song like this, I have to admit that this is actually really nice. I can see why the press jury ranked him in the top 5 on night 1. I don’t find it outstanding, but I think it’s really lovely to see Achille show some genuine emotional range. He actually looks vulnerable, which really adds to this.
Beautiful, unique, incredible, outstanding, talented, perfect, lovely. Ok, I’m exaggerating, but this is exactly the kind of performance that makes me forget everything. She could sing me the ingredients of Coca-Cola, and I’d still be enchanted. I think this would do really well in ESC because it gives a very positive impression right away.
The singing and the music just don’t fit together at all in my opinion. The music just needs an extra something to really pop and complement his vocals. As it stands, I just don’t care for the overall package and won’t be revisiting it for sure.
I wish this didn’t sound so disjointed because every part sounds really cool in isolation. This was also my problem with her entry last year: it sounded very disjointed. Just pick one style and stick to it. Don’t switch between ballady verses and a dance-pop chorus. It just doesn’t work for me. If I take the different styles in isolation, then I can say that I love the chorus and the way live music amplifies the slightly weird and wobbly feeling, but I don’t really care for the verses. I’ll give it one more chance to click with me in the final.
What a banger this is. As Italians would say, grazie mille for this song. The backing singers were so good that they got their own bouquets, which is something I 100% agree with - they deserved those bouquets. It just has a crazily addictive melody, clever lyrics (“There’s the people that say they can’t say anything anymore and yet they never shut up, at least be consistent”) and a memorable performance. Thinking purely with Eurovision in mind, this could do really well (though, of course, this isn’t the primary consideration for Sanremo).
No general thoughts this time because I don’t have anything insightful to say. So here are my results for this night.
Well, night 3, let’s go. I think this is a stronger set of songs overall, so I’m quite excited.
This is actually one of the best instrumentations of the contest. It sounds great in the studio and it sounds even better live. I’s another song that perfectly blends a classic Italian sound with modern pop music. I’ve already added it to my playlist after night 1 and I don’t think I’ll be ever removing it.
This is one of many proofs that you don’t need to be flashy or upbeat to be good. This easily wins me with its sincerity and its down-to-earth feel. There’s really nothing to dislike here: he’s just great and likeable. I’m about to put it on loop after the show ends.
I could also put this on loop. Her performance was definitely better this time around. The vocals were more consistent, and she was a lot more confident on stage. I think she realised that she’s here, she’s performing and her nerves calmed down. Though I’m not sure how much I’d love it in ESC as it’s heavily elevated by the orchestra.
This is exactly why I love Sanremo. Only here would you hear a man with a 60+ year long career performing a song that sounds so modern. The instrumentation is so rich and interesting: we need more saxophones in these songs (I hope Italy has learned the lesson from the 1991 saxophonist).
This is surely a stylistic choice, but I wish she projected her voice more. It feels like she stops before really connecting with me and ends up sounding a little too breathy. I’m not sure this is the right choice for this song, which is a total banger. And this is one of the few songs that would translate really well to a backing track, in my opinion.
We need a song like this in Sanremo. While it definitely isn’t close to being my overall favourite, it gives us something out of left field to break up the more traditional sounds we’ve had. It’s very rare that rap works with an orchestra, so adding some gospel elements actually elevated it and made it more coherent. I love it when weird genre mixes actually work out.
Noemi will always be simply enchanting. The song is beautifully simple and beautifully performed. Every time she’s taken part in Sanremo, she managed to enchant me, and this time is no different. I hope she continues being in Sanremo almost every year because I love her way of performing.
I think that he’s overemoting a simple song like this, which makes it a little hard for me to connect with it. He might be one of the contenders to win it according to the odds, but I just don’t see it.
This is clearly a throwback to Italian pop music of the 80s, but it’s done in a great way. It’s fun, danceable and, even though it sounds like an average Ricchi E Poveri song, it still slaps and manages to bring something new to the table. Additionally, it’s the most popular song on the Italian radio, so I’m expecting it to place top 5 this night. This is also a huge improvement for Coma_Cose, who previously submitted songs I heavily disliked.
This is kinda cheesy and I’m really not feeling it. Idk. I don’t even have anything witty to say about this because it didn’t make me feel anything.
We’re clearly in the weak section of the running order because I didn’t enjoy this one bit. It’s also very cliché and uninteresting.
This is the third weak song in a row. Irama has never been among my favourite singers, so I never expected to like this. It’s at most tolerable and ultimately totally forgettable.
This is fairly pleasant, but it didn’t have anywhere near as much effect on me as it did during the first night. I still think his sort of raspy voice fits this sort of song. I decently enjoyed it.
At least the final song is still really good. It’s snappy and fun, but I especially like the camera work here. It makes the already fun and energetic performance feel even more dynamic. The changes in the aspect ratio definitely work here, which is impressive because they never do and always come off as cringe. Overall, this was clearly the right way to end the main section.
They did the duels at the start of the previous night, but the final is at the end of this night. Cool.
I stand by my take that this sounds worthy of competing in the main lineup. The change where artists that come through Sanremo Giovanni don’t compete in the main section sucks. It was by far the best change Amadeus implemented (and there were many other great changes he made). And he won it in the end, which is nice.
On the other hand, this drags on a little, and I don’t like the random English section at all. He definitely overemotes it. I’m just not a fan at all. But I won’t be mad if it wins either - it’s just fine.
Here’s my ranking of the half of the entries performed during night 3
And here are my full results after night 3 with changes. As you can see, there are some big changes and a lot of small reshuffling, which suggests that I judged most of the songs roughly the same as on the first watch.
I’m skipping the cover night as I have nothing to add there. Just know that Giorgia won it completely deservedly. Let’s see how my opinions change now, on my final watch of these songs.
I think she performed it a lot better than before. I think her leg got better, so she can be more expressive on stage, which is great because this is exactly what the song was lacking. This left a much more positive impression on me tonight.
I’m still 100% convinced this would do well in Eurovision. It has a very memorable and stlised look to it, even with the minimal staging Sanremo has. This is sassy, well-composed, well-performed and has great backing singers. This will easily find a permanent place on my playlist.
This is still just cheap and uninteresting. In my eyes, this doesn’t reach the usual standard Sanremo sets out, although it’s good to see someome her age still performing upbeat songs and not just sentimental ballads.
I still don’t think anything about this feels special. It isn’t unpleasant at all, but it completely fails to pique my interest. It’s just a fine sort of ballad, that’s all. At least it isn’t drowned in autotune.
The Sanremo experience is growing to like all songs over the course of the week. The same happened to this song as well: instead of coming off cheap and dated, like it did before, it now comes off as cute and retro. But I think he also got better after his fall and actually can perform to his full potential.
This is one of many songs that really come together after you’ve listened to them for a while, so I’m glad Sanremo gives me this opportunity. I now think that the verses and the chorus do work together and the transtion between them stimulates my mind very well. The live music definitely adds to this as well - I don’t think this would work in ESC anywhere near as well.
I still can’t connect with this at all. If there’s one song that actually does sound incoherent, it’s this one, and he doesn’t elevate it at all with his performance. It just starts, happens and ends. Just super mediocre overall.
I think this is a little plain but fun. It’s a very classic Sanremo song mixed with something more, which gives it a very nice punch. And Clara is a great performer, of course. But her entry last year, Diamanti Grezzi, was better.
This would make a great sequel to La noia. It’s fresh, atypical and musically great. It takes influences from various different styles and makes something really fun. She’s also a great performer, which really improves my experience too. Although I’m not sure how great it would sound without live music - I’m sure they can adapt it to a backing track though.
Here’s a male ballad that actually does make me feel something. Brunori is a lovely performer that puts a lot of feelings into his singing. He just creates a very enjoyable atmosphere and makes me get completely immersed in his singing.
He delivers this classic Italian ballad really well. His voice definitely fits this kind of song really well. Maybe he’s overselling it a little, but I think this is what everyone expects from him. It’s a very good addition to the lineup.
Noemi sells it so well. The song is very down-to-earth, which definitely helps in this case. But Noemi herself is the reason why I like this so much. She’s always been great, and this year hasn’t been different in any way. I don’t think I like the song enough to keep it, but I truly love the performance. I think it would do really well in Eurovision because a lot of people love women singing emotional songs.
This would also be a good choice, speaking purely in Eurovision terms. Rap has been appearing in Eurovision more and more - not pure rap, but songs with rapped parts. What’s more important is that he has a great stage presence, so I think people will enjoy him on stage.
Fun. If I had to pick one word to describe this song, it would be “fun”. This will definitely be huge on the radio, just like their previous songs, and they’ll continue growing and growing. While I’d like to see them in ESC, I actually think they’ve already done really well for themselves, so I won’t be sad if they don’t win again. But I hope they continue taking part in Sanremo - we need songs like this to add more fun to this lineup.
I still don’t find this special, but Italians clearly do, so more power to them. He’s a good singer vocally, but I don’t connect with him at all. It’s just alright in my eyes, sadly.
This is genuinely very good to listen to and watch. Achille still lets his persona shine through, which really enhances this kinda plain ballad. It’s kind ahilarious that he managed to shock us by going with something so lowkey.
This is just as fun as it was on the previous nights. They just know how to perform live and the song reminds me of the kind of Italian music I grew up with. I can’t lie, this has been in heavy rotation for me for the past couple days for me and will stay like this for the rest of the year.
I skipped reviewing the cover night, but I’ll quickly mention that the winner was entirely correct: Giorgia and Annalisa performing Skyfall blew everyone else out of the water. Even though the cover night no longer influences the results directly, it can still change people’s perception of the artist. So it shouldn’t be a surprise that this has been getting an even warmer reception and is considered to be a major favourite to win. And I’ll be totally fine with that; the Italians like this, I like this, and it would do well in Eurovision. It’s a win-win-win situation.
For his own sake, I hope he either doesn’t win or wins and declines Eurovision. He wouldn’t deserve the kind of treatment he’d get from Eurofans for this song. While it’s also a song that doesn’t hit anywhere near as much without the live performance, the live performance is absolutely tremendous. I truly believe that it would do well in Eurovision with the casual audience that would connect with this, leaving the annoying fans who only love girlbops saying that it’s just Italian bias. I’d definitely vote for him if he went to Eurovision.
This is simply very enjoyable. I really like the composition here: it’s simple but in a positive way. Not all songs need to be super complex masterpieces to impress me. This is just a lovely and inviting listen. I’m really happy this is in the lineup.
This is one of many songs I enjoyed. It’s just a down-to-earth piano ballad with a good performer. It doesn’t tug my heartstrings, but it still enchants me. But this isn’t a huge standout to me overall.
I just have to accept that I’ll never connect with Irama’s songs. They aren’t bad, but they’re very not for me. They just feel kinda pretentious and dislikeable, in part because he overuses autotune where none is needed, though Italians clearly disagree with me. I won’t dwell on it though as there are more songs I like than dislike here.
While I rarely like the songs Fedez brings to Sanremo, I think this is better than his usual standard. Specifically, it’s the strings and the overall arrangement. They give this a lot more depth than it would’ve had with a backing track. I heavily dislike his use of autotune though - it just doesn’t add anything to the song and, in fact, actively takes away from it.
I still like it. I don’t think it’s super outstanding, but the combination of gospel and rap works really well here. I might check out their other songs after this because I’m genuinely intrigued.
This is by far her most convincing performance so far. Her singing is powerful, clear and convincing. She just oozes charm on stage while also managing to look a little vulnerable. The orchestra adds a lot to this and creates a very mystical experience. I also love the intimate camera angles used here. Overall, this is purely incredible.
This i svery heartfelt. It’s very easy to see that he’s an experienced performer. It’s easy to get completely lost in his performance because he just knows how to work an audience. However, he didn’t go the nostalgia bait route and send a copycat of one of his 70s song. Instead, he sent a good song that sounds like it belongs in the 21st century. It’s a really lovely ballad too, definitely one of the keepers for me.
I usually compain about choruses that repeat the same couple words a million times, but this songs makes it work because it still has some musical variety. Combine this with an eye-catching performance and great camera work and you get a great overall package that stands out even in a great lineup like this one.
This finally clicked with me. I found myself randomly humming the chorus a couple of hours ago. It’s actually very interesting musically and throws a lot of curveballs at you, so your brain twists itself into a knot trying to predict what comes next. And, as always, the orchestra does a magnificent job of elevating the song even further.
I still think this incredible. Her vocals have improved so much since night 1 and the song remains an absolute banger. The strings are absolutely incredible, the melody in general is catchy. And sure, it’s remisicent of Sinceramente, but it’s still distinct enough to feel distinct. I hope we see Sarah back in future Sanremos as she’s just 19 years old. There’s definitely a bright future ahead of her. And this song has a bright future on my playlist.
There are very few big rank reshuffles, which shows that I’ve been able to form a fairly solid opinion about the songs even after nights 2 and 3. However, there were still some last-minute changes anyway.
Sanremo is always great if I’m being honest, so it wasn’t a surprise to me that it was great. The results are always weird though. The top 5 didn’t have a single woman, as always. In the end, Olly won, which is disappointing and I don’t really care for his song too much.